This project seeks to map present and future interfaces between human and artificial creative intelligence, and investigate the ways in which creative human/AI collaboration may contribute to human flourishing.
My current research investigates the 2021 “Sewell Report” published by the Commission on Race and Ethnic Disparities from a digital sociology of knowledge perspective. More generally, I am interested in meaning-making and the various roles knowledge plays in social life – both online and offline – and draw from feminist and critical theory to explore the politics of knowledge.
Alongside the DPhil, I also work as a Research Assistant on the Creative Algorithmic Intelligence project – a collaboration between the OII and the Machine Learning Research Group – and am an associate member of the Centre for the History of Science, Medicine, and Technology.
My background is in Sociology and Women’s Studies.
I’m always interested in exchanging with others working on directly or tangentially related questions – just drop me a line!
Pronouns: she/they
Sociology of knowledge, epistemology, political sociology, feminist theory, AI.
This project seeks to map present and future interfaces between human and artificial creative intelligence, and investigate the ways in which creative human/AI collaboration may contribute to human flourishing.
My project work is funded by the Templeton World Charity Foundation. My DPhil research is generously supported by the Clarendon Fund.
By Anne Ploin, Rebecca Eynon, Isis Hjorth, and Michael A. Osborne
There has been much talk about the potential of AI, but could it really transform the creative arts?
3 March 2022
There has been much talk about the potential of AI, but could it really transform the creative arts?
About Manchester, 03 March 2022
There has been an explosion of interest in ‘creative AI’, but does this mean that artists will be replaced by machines? No, definitely not, says Anne Ploin, Oxford Internet Institute researcher and one of the team behind today’s report.
Mirage News, 03 March 2022
There has been an explosion of interest in ‘creative AI’, but does this mean that artists will be replaced by machines? No, definitely not, says Anne Ploin, Oxford Internet Institute researcher.