Musicians around the world agree on one thing: streaming platforms are essential for their careers. Most also agree on another: they don’t pay enough. 

A new report from the Oxford Internet Institute and the University of Groningen captures this contradiction across five countries – Brazil, Chile, the Netherlands, Nigeria and South Korea.  

Based on a survey of c. 1,200 musicians, the study finds that artists feel trapped in what researchers call a “streaming paradox”: visibility has never been easier thanks to streaming, but meaningful income remains out of reach. Meanwhile, musicians say they face growing pressure to become content creators and audience managers, constantly posting, engaging and promoting, just to be seen. 

Yet the study’s most striking finding is how differently musicians in different countries experience these same pressures. In Nigeria, 83% of musicians said their careers had improved since streaming. In the Netherlands, just 14% said the same. There are also interesting differences between genres and generations. These differences suggest that culture, expectations, and economic context shape how artists navigate the platform era in fundamentally different ways. 

Streaming income: key findings 

• 77% of musicians surveyed earn less than €10,000 a year from music, and 83% are dissatisfied with the royalties they receive from streaming.
• 81% say streaming is important for their career — yet fewer than half say their situation has improved since streaming became dominant.  
• Low-income musicians are the most likely to call streaming “extremely important” (55%), while higher earners are more likely to say it’s “not that important.” 
• Almost a quarter of musicians (23%) spend more than half of all their working time on tasks like updating social media, planning tours or communicating with fans — rising to 30% in Chile. 
• 69% of respondents said they now spend more time promoting their music online than they did a few years ago. 
• 89% of musicians said they do not use AI or automation tools when interacting with fans online. 
• Of the five countries surveyed, Dutch artists are the most worried about the impact of AI-generated music flooding streaming platforms and competing with human-created art

“Artists rely on digital platforms to be seen, to grow their audiences, and to stay relevant. Our report shows that while streaming and social media contribute very little to artists’ actual income, the work they require is changing what it means to be a musician. These changes generate different reactions in different countries around the world,” said Dr Robert Prey, Associate Professor of Digital Culture at the Oxford Internet Institute and co-author of the report.   

Explore further findings from the report, ‘Musicians at Work in the Platform and AI Era’, by Femke de Rijk and Dr Robert Prey.

Notes for Editors   

Contact 

For more information or to arrange interviews with the lead authors, please contact: Sara Spinks / Veena McCoole, Media and Communications Manager.      

M: +44 (0)7551 345493   

E: press@oii.ox.ac.uk  

Media spokespeople: 

• Dr Robert Prey, Associate Professor of Digital Culture, Oxford Internet Institute, University of Oxford. 
• Interviews with the artists that took part in the survey are available on request.  These include: Victor Castellan (Brazil), Mica (Chile), Jeremy Bass (the Netherlands) and Maneel (Nigeria).
• Supporting graphics illustrating key findings available on request. 

About the research     

This study focused on researching the global experiences and perspectives of musicians outside the UK and the US. The researchers surveyed 1,198 musicians across five countries: Brazil, Chile, The Netherlands, Nigeria and South Korea in collaboration with IPSOS in March 2025.  The research team also carried out 27 follow-up interviews in November 2025. 

Funding information   

This research was conducted as part of the ‘PlatforMuse’ project (2023-2028), funded by the European Research Council.  The project is based at the University of Groningen, The Netherlands. The views expressed are those of the authors only. The funders had no role in study design, data collection and analysis, decision to publish or preparation of the report. 

About the Oxford Internet Institute (OII)   

The Oxford Internet Institute (OII) has been at the forefront of exploring the human impact of emerging technologies for 25 years. As a multidisciplinary research and teaching department at the University of Oxford, we bring together scholars and students from diverse fields to examine the opportunities and challenges posed by transformative innovations such as artificial intelligence, machine learning, digital platforms, and autonomous agents.  

About the University of Oxford   

Oxford University has been placed number one in the Times Higher Education World University Rankings for the tenth year running, and number two in the QS World Rankings 2022. At the heart of this success are the twin-pillars of our ground-breaking research and innovation and our distinctive educational offer. Oxford is world-famous for research and teaching excellence and home to some of the most talented people from across the globe.